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Simpsons: The Movie
Simpsons: The Movie
Simpsons: The Movie by
article-magazine.com
When it comes to The Simpsons, longevity is an asset few can
ignore. 18 years old and counting, the TV series has carved its
niche into pop culture. Most of today's high school students hadn't
been born when The Simpsons debuted as filler on Tracey Ullman's
variety show. It's no longer as fresh, as acerbic, and as popular
as it once was, but could one expect anything else from a show that
has turned out about 400 twenty-two minute episodes? It is a little
odd that it has taken so long for The Simpsons to make the
transition from the small screen to the big one; there has been
talk about a movie since the mid-'90s. While nothing in this motion
picture quite matches the television series at its early best, this
is more of a throwback than a throw-away. It's wittier and more
energetic than anything that has appeared on FOX in quite a few
years.
The film's irreverence is at full throttle from the opening moments
when Homer Simpson (voice of Dan Castellaneta) wonders aloud why
anyone would be stupid enough to pay money to see something in a
theater they can see for free on TV. Later, there's a
none-too-subtle jab at FOX's aggressive style of self-promotion.
The primary satirical targets are religion (an easy mark),
environmentalists (also easy), and government stupidity (even
easier). The Simpsons Movie does not go after hot button issues nor
does it tie itself to a time and place by addressing current
events. One senses that the filmmakers want their production to
feel as fresh and timely in 2015 as in 2007.
For the most part, The Simpsons Movie is a series of rolling jokes.
It's a little like Airplane in a sense - if something flops, the
wait for the next gag isn't long. The film is heavy on comedy and
parody and light on emotion, although there is a nice little arc in
which Homer has an epiphany about the importance of family. That's
about as serious as The Simpsons has ever gotten and it's certainly
not going to bring tears to the eyes of many movie goers. People
will flock to this picture because they want to enjoy the humor,
and it delivers. I laughed aloud a number of times, and smiled and
chuckled even more frequently.
There is a plot, although it's not going to be mistaken for
Shakespeare. It is, however, surprisingly coherent when one
considers that there are nearly a dozen credited screenwriters.
When the government discovers that the levels of toxicity in
Springfield's lake have reached critical levels (courtesy of a silo
of "pig crap" dumped there by Homer), they quarantine the entire
community. Homer and his family - wife Marge (Julie Kavner), son
Bart (Nancy Cartwright), and daughters Lisa (Yeardley Smith) and
Maggie - escape from Springfield and head to Alaska, where they
decide to start anew. But when word reaches them that the
government intends to do more than merely isolate their hometown,
they take action.
Long-time fans of The Simpsons will be pleased to note that many of
the series' recurring secondary characters have bit parts. They are
well enough integrated that their inclusion won't bother Simpsons
newbies. (Are there such people?) Harry Shearer and Hank Azaria do
their usual yeoman's work as back-up vocalists. Star power comes
from President Arnold Schwarzenegger (voice provided by Shearer)
and Tom Hanks (voice provided by Tom Hanks). Hanks' participation
is nothing new; over the years, the series has become a magnet for
big-name cameos. You know you've arrived once you've appeared on
The Simpsons.
Visually, not a lot has been done to "improve" the characters for
the big screen. There are times when the animation is a little
crisper and there is occasional evidence of CGI (such as during the
Frankenstein-inspired scene with an angry mob), but no major
tweaking has been accomplished. Fans of the series will feel at
home; the theme song even makes an appearance or two. The producers
of the TV program are the driving forces behind the motion picture
and they have ascertained that nothing is done to disappoint the
core audience.
If half the people who have ever enjoyed an episode of The Simpsons
come to see the movie, this will be a huge hit. Fox is counting on
big numbers; their marketing department is in overdrive. The film's
PG-13 rating is a little misleading. With the exception of a little
coarse language and a peep at Bart's underdeveloped cartoon
genitals (shown as part of a hilariously over-the-top naked
skateboarding sequence), there's nothing in the movie that couldn't
be shown on TV. This isn't like South Park which, freed from the
constraints of a more restrictive medium, pulled out all the stops.
The Simpsons is interested in being a family film, although this is
one of those rare animated occasions when adults are the primary
audience. I, for one, couldn't be happier.
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