So, You Want to Be an Interior Designer
So, You Want to Be an Interior Designer
By Suzan Globus, FASID, president, American Society of Interior Designers
(ARA) - A
friend of a friend called to ask if he could meet with me to talk
about his interest in pursuing a career in interior design. This
45-year-old mortgage broker was, in his words, "having a mid-life
crisis" and wanted to spend his time in a more creative pursuit.
Often I am asked to advise those contemplating launching a career
in interior design. I confess I find it a challenge to explain this
complex profession to someone who probably doesn't yet understand
it.
This gentleman spoke of recently remodeling his dining room and the
elation he felt at arriving at the perfect paint color after
painting 35 color samples on the walls and the sensual pleasure he
derived from touching the perfect Larsen silk he found for the
draperies. He asked what I thought about television's "Top Design"
and this month's Elle Décor cover. Who did I think was
doing outstanding design in the area, and how could he work for
them? How much money could he make, and how much product did he
have to sell to make a good living?
Based on his conversation and questions, I concluded that for him
interior design was about selecting wonderful products and selling
them to clients. The thrill of the hunt was alluring to him. While
that can be part of the job, the fact is there is so much more to
what interior designers do.
I started by explaining that interior design was a process of
creating environments to support certain behaviors. Products are
one of the tools used to create the environment; however, before
they are selected, it is important to identify with the client what
the design is expected to achieve. Depending on whether the
environment is a home or business, the client, for example, may
want the space to encourage relaxation, to communicate a brand or
image, to increase productivity or to aid in healing patients.
Designers use questions to understand the clients' goals as part of
a design process that is central to interior design education and
training. This approach is so effective for solving problems that
some business schools are now modeling their instruction after
it.
Schooling, I explained, is a necessity in the field, even for entry
level positions, and the competition for jobs is intense. Advancing
in the profession minimally involves completing an internship,
passing a national qualifying examination, registering with the
states or jurisdictions where you practice and taking ongoing
continuing education to stay current with this rapidly changing
industry. Professional associations, like the American Society of
Interior Designers, help practitioners throughout their careers by
establishing standards, providing resources and offering a network
of peers who serve as mentors and colleagues.
Starting salaries for interior designers, according to the
"Occupational Handbook" developed by the U.S. Bureau of Labor
Statistics, are lower than for a number of other professions. The
longtime practice of basing fees on product sales is disappearing
as a business model since the Internet has given consumers easy
access to products from all over the world. Also diminishing are
"to the trade" exclusivity that once existed only for interior
designers and a few others.
Savvy designers today are educating their clients about the real
service they provide which extends far beyond supplying product and
are charging fees accordingly. Many interior design businesses that
had been basing fees on product are now basing fees on service or a
combination of both. Other businesses are basing fees on measured
results.
Because the business is project based, hours can be long when
deadlines loom. For those who own their business, the hours can
grow longer.
I explained to my new acquaintance that his background in banking
would most likely be more helpful than he imagined based on several
assumptions. He is adept at interviewing people to find out what
they need. He can identify the decision maker even if that person
is not at the table. He can facilitate decision making and he
understands basic business principles which may be shortchanged in
formal interior design education. In fact, having spent many years
in a specific work environment makes him particularly well suited
to specializing in the interior design of financial institutions
because interior design, as first year students learn, can be
applied to more than homes.
I sent my new friend away with some contacts in the interior design
department at the local college, the ASID Web site, an offer to
answer more questions and, I hope, a better understanding of the
profession. Afterward, I felt renewed respect for this profession,
which has such great potential to improve our well being.
Courtesy of ARAcontent
###
EDITOR'S NOTE:
ASID President Suzan Globus, FASID, is an award-winning interior
designer, who consults on public, educational and museum libraries.
She is a principal of Globus Design Associates in Red Bank, New
Jersey. ASID can be reached at (202) 546-3480 or asid@asid.org, and
on the Web at www.asid.org.
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